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by Karen Y Hamilton

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Horror in Tapirland

A Mama's Love

Journey to the Sea

Tiny Regrets

Mr. Smiley

Little Sister

Lostman's Heritage

Solitary Walker

How They Met (1st person)

How They Met (3rd person)

Don't Ever Tell

The Knife

Piercing the Sky


What NOT to do in New York

Lessons from Daddy

An Adventure in My Life

First Panic Attack

Group Therapy

My Memoirs

Alex's Memoirs



Metaphoric Living

Me in 2022

Poets for President

Remembering Saturday Night Live

Where Have All the Hippies Gone?

Truth in News

Sensationalism in American Film

Personifying the Stereotype: Blaxplotation

Beauty in Small Things

Solitary Walker


Naming in Thomas Pynchon's The Crying of Lot 49

Becoming a Symbol in Philip Dick's Do Androids Dream of Electric Sheep (aka Bladerunner)

Background Noise: A Reading Response to Alphonso Lingisí, The Murmur of the World and Michel Serresí, Platonic Dialogue

Performative Gender: A Reading Response to Judith Butlterís, Bodily Inscriptions, Performative Subversions

Reading Response: Depiction of Women in American Film in the Seventies


The Deer Hunter


Truth in Autobiography

Finding Valid Meaning in a Text through Context

Putting Back Together the Broken World with Words

Reasoning Behind the Creation of Exodus

The Poetics of Carol Muske and Joy Harjo: Using Poetry as Healing

Awaiting the Language: The Search for a Bahamian Identity

Mad Woman in the Attic: The Fate of the Caribbean Woman in the Early Days of Colonialism

Bound by Briars: Writing as a Monster

The Poetic Genius of the Filmmaker, Luis Bunuel

The Impact of The Kalevala on Finnish Arts and Nationalism

Divine Intervention in Irish and Finnish Mythology

A New Wilderness: The Arrival of Finnish Immigrants in the New World

Forbidden Fruits in Toni Morrison's Beloved

Ideology in Hawthorne's A Minister's Black Veil

Russoís Pulitzer Prize Winning Technique

Tracing Tradition in Irish Medieval and Early Modern Poetry

Reflections on Kate Chopinís - "The Story of an Hour"

Themes in Beckett, Pinter, and Lawrence

The Treatment of ĎHysteriaí in the Late 1890ís

Thematic and Stylistic Differences in Monkey and Candide

Dislocation of Self in Faulkner's As I Lay Dying

Being Born Again at Moo U

The Influence of Imagism on the Work of T.S. Eliot

Analysisí of Poems by Langston Hughes, Stephen Dunn, Sharon Olds, and Lola Haskins

Analysis of Susan Mitchellís Bird: A Memoir

Symbols in Two Poems by Emily Dickinson

A Sense of History with a Twist: The poetics of Two Irish Women Poets

Understanding Postmodern Poetry

Cultural Legacies of Three Eras in Poetry

"The Wasteland" by T.S. Eliot

"The Love Song of J. Alfred Prufrock" by T.S. Eliot

"Pied Beauty" by Gerard Manly Hopkins

"The Convergence of the Twain" by Thomas Hardy

"Birches" by Robert Frost

How to Think Like a Poet

Women Through the Eyes of Alexander Pope and Mary Leapor

A Voyage through the Depravity of Humankind: A Look at Voyage IV of "Gulliverís Travels" by Jonathan Swift

Cycles and the Microcosm in Spenserís Epithalamion and the Mutability Cantos

Symbolism in Spenserís The Faery Queen

Conventional Topoi in Spenser and Sidneyís Works

Paradoxical Nature of Perfection and Free Will (Rough Draft)

Literal and Metaphorical Developments of "Knowing" (Rough Draft)

Sexuality in Paradise Lost (Rough Draft)

Other Notes on Paradise Lost (Theme, Heaven and Hell as a state of mind, Addiction, Satan as the Hero)

Psychoanalytic Criticism(not posted yet)

Feminist Criticism(not posted yet)

A Feminist Critique of Ecoís "Name of the Rose"(not posted yet)

SITUATIONAL ANALYSIS: A Priest Charged with Soliciting Sex Acts (not posted yet)

SITUATIONAL ANALYSIS: Boys Guilty of Killing Dad(not posted yet)

SITUATIONAL ANALYSIS: My decision is to publish the facts of Poet Laureate, Amiri Barakaís past. (not posted yet)

Who is Bartleby? A Character Analysis of Bartleby, the Scrivener

Analysis of Mary Renaultís The King Must Die

Teacherís Attitudes: Does It Make a Difference?

A Fatherís Rights

An Analysis of Paul Gauguinís Agony in the Garden

The Mutilation of our Sons

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